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Software / Plug‑In

Uberbass

Bass Enhancer Plugin

Bass enhancer plug-in for music, sound design and sound for picture. Harmonically BOOST low end, focus it where the source needs it, drive it, gate it. Hear UBERBASS.

Choose Your Edition
Free Trial
Full Version
Software Plug-In - REQUIRES a FREE iLok account
Original price was: $115.00.Current price is: $92.00.
Original price was: $115.00.Current price is: $92.00.
/ year
excl. VAT

Bass enhancer plug-in for music, sound design and sound for picture. Harmonically BOOST low end, focus it where the source needs it, drive it, gate it. Hear UBERBASS.

Choose Your Edition
Free Trial
Full Version
Software Plug-In - REQUIRES a FREE iLok account
Original price was: $115.00.Current price is: $92.00.
Original price was: $115.00.Current price is: $92.00.
/ year
excl. VAT

Beyond Bass

UBERBASS: The Bass Enhancer Plugin – From Natural to Extreme

Just raising the volume of the low end doesn't add character, and it doesn't know when to stay out of the way. UBERBASS is a bass enhancer plugin for music, sound design and sound for picture: it adds harmonics with a resonant focus around a frequency you choose, shapes that effect with DRIVE and GATE, blends it back into the signal, and keeps rumble out of the result with LOW CUT.

Compact Interface - Huge Effect

Get a feeling for the UBERBASS user interface in this clickable demo.
To experience the UBERBASS sound, get our 14-day free trial.

● Clickable demo — drag the knobs

BOOST: The Whole Effect in One Control

BOOST is the hero control: one knob sets how much of the generated low-end effect sits on top of your original signal, from a barely-there reinforcement to a fully driven, room-shaking amount. It's the control every other parameter below serves, which is why it sits largest, front and center.

Place and Shape It: FREQUENCY, INTENSITY and Q-FACTOR

FREQUENCY sets the exact frequency the effect targets, tuned to the sub or low-end region of your source; a pitch-mode toggle lets you dial it in by musical note (E0-B2) instead of Hertz when that’s the faster way to match a key. INTENSITY sets how strongly the effect applies, from subtle to heavily processed. Q-FACTOR narrows or widens the focus around the set frequency: a high value keeps it tight and surgical for a kick drum’s fundamental, a low value spreads it broad enough to sit under a full mix bus.

Drive It: DRIVE

DRIVE adds harmonic saturation to the generated low end, moving it from clean sub reinforcement to a saturated, aggressive character on demand, and it's what makes that low end audible on small playback systems in the first place. A dedicated stage doubles the drive amount for material that needs to go further than a single knob's travel allows.

Control It: GATE and LOW CUT

GATE THR keeps the effect out of quiet passages, so it reacts only where the source actually calls for it instead of running underneath everything. The GATE's ATTACK, RELEASE and RATIO give full control over the dynamic of the effect in regards to the input, from tight and percussive to a longer tail. LOW CUT filters the whole signal ahead of the DRY / WET blend, so everything below the set point is removed from the output however you balance dry and wet, including rumble that was already in your source. It keeps the very lowest, non-musical content out of your low end.

Hear The Difference

Hear every example with UBERBASS on and with UBERBASS off: drums, a creature, gun shots, motor revving, a full musical mix bus, and some mechanical sound fx. Compare them at a glance and hear the harmonics it adds around the frequency you choose.
Motor Revving
No Uberbass
0:00
WITH UBERBASS
0:00
Alien Creature
No Uberbass
0:00
WITH UBERBASS
0:00
Drums
No Uberbass
0:00
WITH UBERBASS
0:00
Mechanical Sound FX
No Uberbass
0:00
WITH UBERBASS
0:00
Musical Ending
No Uberbass
0:00
WITH UBERBASS
0:00
Silenced Gun Shots
No Uberbass
0:00
WITH UBERBASS
0:00

Typical Use Cases

Mix Bus
Broaden Q-FACTOR for presence across a full mix bus rather than a single element.
Snares and Percussion
Put a body under a snare, clap or rimshot that otherwise lives only in the mids, tuned so it lands harder without turning boomy.
Impacts, Kicks, Basslines, Hits and Explosions
Sub weight exactly where a kick or bassline needs it, without losing punch. Give sound effects a fundamental that survives the mix, tuned to the moment.
Mechanicals and Gear
Latches, servos, reloads, weapon handling and machinery gain mass, so small mechanical detail reads as solid, heavy hardware.
Film, TV and Game Scores
Low end that holds up on dynamic material, scored to picture.
Vocal, Voice Over and Animal Recordings
Add weight and body without reaching for a synthetic sub layer.

UBERBASS or ENFORCER?

Both plug-ins work at the low end, but they solve different problems.

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UBERBASS reinforces and shapes the low end that’s already in your source: it generates harmonics with a resonant focus around a frequency you choose, then drives and gates that effect, blends it back in, and filters rumble out of the result.

ENFORCER generates a new, triggered low-end impulse, tunable in semitones and playable via MIDI: it’s a sub sweetener built to add an event where there wasn’t one, such as a kick-drum hit.
Reach for UBERBASS when you need to reinforce, place and control the low end a source already has; reach for ENFORCER when you need to trigger new low-end events.

Supporting the Art of Cinematic Sound

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“I’ve spent years working with subharmonic synthesizers and low-frequency enhancers, and UBERBASS is my new go-to. Super clean, quick, and creative.”
Joseph Fraioli
Sound Designer, Composer
TENET | FALLOUT
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“UBERBASS has just replaced my go-to sub-harmonic for the last ten years. The minute you load the plugin onto your desired track, you can quickly hear the difference. From clean subharmonics to destroyed, you'll get the desired effect in no time: 10/10”
Ashton Parsons
Recording And Live Mixer
DISTURBED | ANTHRAX | ALICE COOPER
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“UBERBASS is a great plug-in and incredibly useful for enhancing the low end. It even enhances sources I thought had no low end! Best of all, it doesn’t add any mud to the low end. It’s very easy to dial in something huge that works quickly.”
Andy Bradfield
Producer, Mixer
MOULIN ROUGE | RUFUS WAINWRIGHT | WONKA!
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“UBERBASS is basically my new shortcut to anything that needs more oomph. It quickly became my go-to whenever I want to add more tuned weight and punch to a kick that’s already tuned to the key of the track — or even bring more impact to the entire drum bus”
Zacharias Adrian
Music Producer, Composer
Electronic & Advertising Music

    UBERBASS - Beyond Bass.

    Focused, driven, controlled low end.

    Not convinced a bass enhancer needs this much control?
    Try UBERBASS free and hear what generation, placement, drive and gating do that a single boost can't.

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    Frequently Asked Questions

    Why We Made UBERBASS

    Enhancing bass has been an elusive pursuit for those making audio tools for decades. 

    In the eighties, there were hardware maximisers, and in the two-thousands, pitch-tracked bass generators; since then, a new wave of subharmonic tools has emerged. 

    We missed a subharmonic generator that sounds natural, almost barely noticeable from the start, with easy access to great weight and low end, with enough options for highly controllable dynamics and aggressive and creative over-the-top processing in the Boom style if needed.

    Learn more about the creation of UBERBASS in our blog.

    READ BLOG ARTICLE
    (opens in a new tab)
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    UBERBASS At A Glance

    Key Features

    • BOOST: the entire added low-end effect in one hero control
    • FREQUENCY: target frequency in Hertz or musical pitch (E0-B2)
    • Q-FACTOR: narrow or widen the effect's focus around the set frequency
    • DRIVE: harmonic saturation, with a dedicated stage for extreme distortion
    • GATE: keeps the effect out of quiet passages
    • LOW CUT: removes rumble from the signal
    • Up to 4x oversampling to reduce aliasing under heavy drive
    • Zero latency with lookahead off; 10 ms with lookahead on
    • VST 3, AU, AAX Native, AudioSuite. Native Apple Silicon. NKS-Ready.

    Use Cases

    • Weight on almost any signal
    • Adding a translatable fundamental to sound effects and impacts
    • Low end that holds up when scoring for film, TV and games

    Technical Specifications

    Software Plugin (VST 3, AU, AAX)
    Size: 0 MB
    Windows + Mac
    Manual
    (opens in a new tab)
    License
    (opens in a new tab)

    Requirements

    Please note: this software requires an audio host software. It does not work as a standalone application.
    It works with the most common audio host software apps that support VST 2.4 and 3, AU or AAX plug ins:

    Software

    Logic Pro
    Nuendo
    Pro Tools
    Cubase
    Reaper
    Ableton Live

    System

    Windows 8 (64-bit), 8 GB Ram, Intel® Core™ i5 or similar, OpenGL 2.1 capable GPU
    macOS 10.13 (64-bit), 8 GB RAM, Apple Silicon or Intel® Core™ i5, OpenGL 2.1 capable GPU

    iLok

    Available licensing options: Machine License activation and USB Dongle. 
     What is iLok? (click to learn more) 

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    Release Notes