Magic

I am a big fan of BOOM libraries and own most of what they've put out. I work with Cartoon Network's Adult Swim and have done many of their shows over the years. I've used BOOM’s libraries on Aqua Teen Hunger Force, Your Pretty Face Is Going To Hell, 12oz Mouse, Harvey Birdman, and almost exclusively used their car and weapon libraries on a show called Archer, years ago. I'll be starting new shows soon and will be looking to their libraries for a variety of different elements. Working primarily in Animation, I find the need to do a lot of Foley or look to the more obscure sound libraries to help build things that don't always exist in the real world. Libraries like BOOM’s Sci Fi, Magic, Fire, Destruction and the different animal libraries are hugely helpful.

BOOM has been the library I reach for first anytime a developer needs some help in the sound design department. It’s incredibly high quality and never feels over-produced…it just sits in the mix how I imagine it should nearly every single time. I needed some big machine sounds and some rather outside the box raw sfx for two different projects. The Mechanicals and Magic bundles have been a life saver in both of those departments for me and for my work on Dusk and Amid Evil.

TheoryForm has been using the Cinematic Hits, Medieval Weapons, Magic, and Nature Essentials libraries to build sound effects for Hazewalker, our premier action platformer. The sound quality of these libraries is unparalleled at this price point - they are clear, crisp, and a pleasure to work with.

I used BOOM Library's Cinematic Hits and Magic while working on an a major portfolio piece while I attended film school in Vancouver. The recording quality of the libraries was incredible and I remember being so inspired by some of the sounds that it was becoming difficult to decide which sounds NOT to include in layering the most epic impact moments of the project. All in all I'm very happy with the ones I've purchased so far and I always look forward to expanding my collection of BOOM sounds whenever a project has a need for top notch evocative sound design.

Salem is a period piece about witches and the new MAGIC library lends itself perfectly for such a specialized task.

I use BOOM libraries in my projects almost daily. My work on "TURN" used Historical Firearms almost exclusively for weapons. Now I'm working on "NCIS: New Orleans", in which I'continue to use Historical Firearms for gun design, as well as Close Combat and Magic for various fight and design moments. They are a great addition to my library, and a "go to" for anything that I need that sounds huge and clean (which is just about everything!)

BOOM Library collections have quickly become an integral part of my sound effects library, and I have used them in a wide variety of projects. The Sci-Fi, Cinematic Trailers and Magic collections are fantastic for sound design work, from the quick and easy answers in the "Designed" section, to the many elements in the "Construction Kit" I use to blend together for something new.

In this day, beating the clock and delivering a phenomenal project is what we all strive for as sound designers. Since using the BOOM Libraries, I’ve found client’s having less critiques/suggestions and more approvals. I’ve also found that my time spent searching for sound effects drastically diminished. The quality BOOM delivers is second-to-none, to me, they are the leaders in a new wave of sound effects libraries. We use Magic/Sci-Fi/Destruction in almost every project we work with. When you’re ready to elevate your game, get BOOM.

The sounds of each library work brilliantly with my projects. Since the quality is so high, it's very easy for me to add lots of processing/pitch shifting to help create even more unique sounds.  I use a lot of the Magic bundle, Mechanicals, Creatures, Destruction, Sci-Fi, Cinematic Hits, Cinematic Metal, Cinematic Trailers, Close Combat, Everyday Cars, and Medieval Weapons. As you can see, I owe a lot of my success to the amazing tools BOOM has provided me!