Gunshot Sound Effects
Gun sound effects play a powerful role in countless forms of media, shaping narratives with tension, drama, and action. They can be compelling storytelling tools, they can be fictional or real and historically accurate, they can be a natural object in a scene or even a main character of a story. They are playing roles in dramas, documentaries, action and adventure productions, in crime series or science fiction and fantasy genres across all media. They can tell a story about death and brutality or about fun and recreation. In short: Gunshot sound effects come into play almost everywhere and all the time in media productions.
Gunshot sound effects are not the only needed audio material to bring these weapons to life in media, gun sound effects might also be about handling, reloading, grabbing, dropping and so forth. The pure presence of a gun might often be intimidating enough and the shot itself might not even be needed. At BOOM Library we offer an extensive range of products about gun sound effects.
Browse through our Gunshot Sound Effects packs
These Companies trust in BOOM Library Sound Effects
Besides our many wonderful independent clients weāre very proud to see that almost every major game company and movie production house appreciates the quality of BOOM Library Sound FX. Below you can see a small selection of our clients.
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How to use gunshot sound effects in movies and games
Every genre, every media, every production has its own story to tell and within this story its own style to do so. Sound aesthetics change over time on top of that and then every producer, director, sound mixer, sound supervisor, sound designer and editor have their own personal taste and preferences.
There are plenty of ways of shaping gun sound effects to meet those specific ways. What you need to be able to have however, is a plentiful supply of flexible source material.
The āDesignedā parts of our libraries give a head start, they can help to quickly sketch out an audio draft for a scene. Designed elements are already processed, they sound cool, and they are somewhat flexible, but they are created to our taste.
However, our āConstruction Kitsā are specifically recorded to offer as much flexibility as possible. With this combination you can emphasize a villain’s weapon on the umph of a shot, making it dark, heavy, dangerous sounding. And on the opposing side, focusing on mechanical sounds for the main characterās weapon to be more intimate. This helps to get closer to the main character to help viewers identify with this perspective.
To see and listen to our recordings of original WWII firearms and how diverse they can sound, check out our WWII Firearms trailer.
World War II Firearms Trailer
This is the biggest-ever WWII gun library, recorded at an extraordinarily high quality with the most modern techniques and mic arrays. Containing 25 renowned WORLD WAR II FIREARMS, from rifles to SMGs to pistols and LMGs, this pack has the most important guns of the second world war period. With both shots and mechanical sounds, it is an absolute must for any sound design for gaming, film, or multi-media focused on mid-20th century and WW2 combat.
Some guns sound clean, unspectacular, others can sound gritty, dark, brutal. The sound can focus on the projectile outside of the firearm, or on the mechanics and moving parts. It can focus on the shot or the impact, it can be accurate or over the top, realistic or altered into fictional science fiction weapons. If you want to learn how we created source material for fictional weapons, we interviewed Michael Schwendler about the quest to create Cyber Weapons.
Cyber Weapons Interview with Michael Schwendler
Learn more about the challanges and interesting & funny facts that come along with a BOOM field recording session. BOOM sound designer Tristan Horton wrote this extensive Behind-The-Scenes report to give you valuable insight on the field recordings for our HISTORICAL FIREARMS library. Enjoy!
How to record gunshot sound effects
Many professionals love to record their own sound effects, in fact BOOM Library developed from us, being professional sound designers wanting the best possible sound effects. If you would like to know how to record gunshot sound effects, then hereās some tips from our team.
For us it is important to get recordings that are as flexible as possible when we come to use them in post. Some will be heavily processed and others used as is.
Hereās a checklist which we hope will help you record great sounding gunshot sound effects:
Gunshot Sound Effects Recording Checklist
- Of course, the first thing is selecting the weapons to match the project aesthetic.
- Select the right location. Check the legalities, is it legal to shoot there, are insurances in place?
- Check that thereās no noise from heavy traffic from cars or planes around
- Make sure the location is not a high wind area or any other weather events that may compromise the recording.
- Find a location that is going to give the right acoustic for the recordings. Locations with hard walls (building, sheds etc) can create very distinct echoes. Location with hollow objects around (again buildings, oil tanks, barrels, containers, bunkers etc) can create unwanted, boomy resonance which are hard to get rid of in a non-destructive way later in post production.
- Indoor recordings of firearms have their own set of challenges. For example, it is impossible to get indoor recording sounds outdoors, the other way around is rather easy. For Historical Firearms we explain the process and why we picked two different locations here: Behind the scenes of Historical Firearms.
- To be most flexible it is important to have enough perspectives and microphone choices later in post production. Experiment with distances, perspectives and mic choices. For our Library Assault Weapons we recorded more than 60 microphones. If you want to learn how different they sound, we have created a microphone comparison video which you can check out here: Assault Weapons – Microphone Comparison.
- Consider making some silencer recordings too. Recordings silenced weapons can shift the focus from nice and flexible reverberation to gun mechanics and shooter perspectives as well as bullet fly by sounds, incoming bullet hypersonic cracks and ricochets. Silenced weapon recordings are a highly valuable source for sound design and the sound of the actual bullets for perspective switches and drama. If you are interested in the details can be found here: Behind the scenes of Silencers.
Behind the Scenes of Historical Firearms
Learn more about the challanges and interesting & funny facts that come along with a BOOM field recording session. BOOM sound designer Tristan Horton wrote this extensive Behind-The-Scenes report to give you valuable insight on the field recordings for our HISTORICAL FIREARMS library. Enjoy!
Assault Weapons ā Microphone Comparison
Some of the channels we recorded for our upcoming gun SFX library ASSAULT WEAPONS (coming June 2014 on boomlibrary.com). No processing like compression, eq-ing, filtering etc. applied – you hear raw recordings of different microphones. The final library will come with more than 18(!) channels for each weapon. More than 9GB of gun sounds Thanks to Ben Minto for having the idea for such a video.
Behind the Scenes of Silencers
Our cooperation with SilencerCo is lots of fun. Check out this little photo documentary. In case you couldnāt imagine what the recordings for this new library looked like, hereās a little something that might lighten the dark. Our lead chipmunks ā uhm,ā¦sound designers(!) Michael and Axel crossed the big ocean and went all the way to Utah to meet our friends from SilencerCo to commonly create the terrific content for our new library.
