SOUND DESIGNERS TALKING: ALEXANDER EPHRAIM
Alexander Ephraim discusses his professional journey, provides insight into sound design approaches and how he uses BOOM Library FX and tools.
Read more→Get FREE Sound Effects
Alexander Ephraim discusses his professional journey, provides insight into sound design approaches and how he uses BOOM Library FX and tools.
Read more→Read our chat with sound designer and composer Paul Rischer about his successful career and how to manipulate audience's emotional responses.
Read more→Tom Joyce is a multi-award-winning sound designer and has worked on numerous films as well as commercials for some of the worldās best known brands. We sat down with Tom to talk more about ...
Read more→With over 25 years of work under his belt, Charles Maynes is a veteran of the film and TV world with well over 100 feature film credits to his name. In this interview, we ...
Read more→Thanks to bucketloads of resilience and passion plus years of hard work, Robert Dudzic has become one of the most sought-after sound designers in the industry. We sat down with him to talk about ...
Read more→Read this interview with Gerry Vazquez, award-winning sound editor, sound designer, and re-recording mixer about his passion and his impressive array of TV and film credits, including Carnival Row, Yellowstone, and more.
Read more→Check out the latest testimonial from Sound Engineer Mark Camperell.
Read more→BOOM Library recorded and crafted the ultra-realistic sounds for DR!FT, a new hybrid racing game
Read more→Check out the latest testimonial from Sound Engineer John Chominsky.
Read more→Check out the latest testimonial from sound editor and sound designer Matt Cavanaugh.
Read more→We differentiate between sound FX and sound file. Each sound file can contain multiple variations of a sound (up to 6 variations based on the product).
That way, we assure to provide you with different styles of a single sound in one file instead of multiple files, keeping your database nice and clear and speeding up your workflow as you have multiple variations available by dragging only one file to your audio host software.
Having multiple variations of a single sound effectĀ also guarantees you a less repetitive overall soundscape when using theĀ effect multiple times in a row or over and over again in several projects.
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