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Signature Series
Sound Effects Library

World War I Firearms

WW1 Gun Sound Effects

World War I Firearms covers rifles, revolvers, pistols, and shotguns of the Great War, with shots, bolt actions, reloads, dry fires, and misfires. Stereo, Ambisonics, and ORTF-3D microphone perspectives were captured for every weapon.

Choose Your Edition
WORLD WAR I FIREARMS | Designed Demo
0:00
WORLD WAR I FIREARMS | Construction Kit Demo
0:00
WORLD WAR I FIREARMS | Construction Kit Demo
0:00
WORLD WAR I FIREARMS | Designed Demo
0:00
Price range: $139.00 through $269.00
Price range: $139.00 through $269.00
/ year
excl. VAT

World War I Firearms covers rifles, revolvers, pistols, and shotguns of the Great War, with shots, bolt actions, reloads, dry fires, and misfires. Stereo, Ambisonics, and ORTF-3D microphone perspectives were captured for every weapon.

Choose Your Edition
WORLD WAR I FIREARMS | Designed Demo
0:00
WORLD WAR I FIREARMS | Construction Kit Demo
0:00
WORLD WAR I FIREARMS | Construction Kit Demo
0:00
WORLD WAR I FIREARMS | Designed Demo
0:00
4,594
Total Sounds
571
WAV Files
up to 10×
Variations
24bit / 96kHz
Sample Rate
15.4 GB
Size
UCS Compliant
Price range: $139.00 through $269.00
Price range: $139.00 through $269.00
/ year
excl. VAT
4,594
Total Sounds
571
WAV Files
up to 10×
Variation Files
24bit / 96kHz
Sample Rate
15.4 GB
Size
UCS Compliant

Field Recordings from a Forgotten Arsenal

A WW1 Sound Effects Library

WORLD WAR I FIREARMS is a library of authentic WWI weapon sound effects — recorded outdoors with original rifles, revolvers, and shotguns. It captures not just the gunshots, but the full mechanical reality: cocking, reloading, dryfires, misfires, and handling. Multiple mic perspectives deliver natural space and variation. Built for professional sound designers who need real material with real character.

Watch The Trailer

Authentic WWI Weapons

Original rifles, revolvers, and shotguns from the First World War – recorded on location with expertise. No replicas, no modern stand-ins. Just the real thing.

Complete Mechanical Detail

Includes everything from dryfires and reloads to bolt actions and handling. These elements bring weight and realism to your design, far beyond the shot itself.

Natural Acoustic Environments

Recorded in a carefully chosen location to capture authentic tail behaviour. Includes close, mid, and far mic positions for spatial control.

Formats for Flexible Workflows

Stereo, Ambisonics, and ORTF3D formats ensure the library fits into post, game, or immersive production pipelines without compromise.

What the Pros Are Saying About World War I Firearms

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The WWI Firearms library is outstanding. Massive, detailed, and full of character. The distant blasts are especially well done, and the construction kit offers beautifully captured foley that’s perfect for nuanced scenes. I wish I’d had it when working on The Last of Us: Part II.

Eric Paulsen
Sound Designer
Emmy Award Winner
Twilight of The Gods / The Last of Us: Part II / God Of War Ragnarök
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One aspect I love about these newer weapon libraries from BOOM, like this most recent WWI Firearms entry, is the variety of foley, mech, and sweeteners provided. I frequently find myself using these sounds in ways well beyond their intended purpose.

Alexander Ephraim
Sound Designer
Call Of Duty / World Of Warcraft / Arcane / Overwatch
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BOOM’s WWI Firearms library delivers the punch and nuance I rely on. It’s a perfect fit for the era—detailed, aggressive, and beautifully captured. BOOM has always been my go-to for firearms, and this one’s no exception.

Matt Temple
Sound Designer
Emmy Nominee
Ozark / Better Call Saul / Tracker

What’s Inside

Included Sounds – Keywords
Bullet
Casing
Dryfire
Gun Action
Gunshot
Impact
Loading
Magazine In
Magazine Out
Mechanism
Metal
Metal Hit
Movement
Pistol
Reload
Revolver
Rifle
Safety Click
Shell
Shotgun
Slow
Slide
Trigger
Weapon Grab
Weapon Handling
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World War 1 Firearms - Construction Kit

Every Action Captured

Reloads, dryfires, cocking, and handling sounds recorded cleanly and with control. Over 13 GB of raw World War I firearm sound effects, ideal for layering, Foley work, or tension-building moments.

Multi-Mic Outdoor Recordings

The weapons have been recorded with multiple mic placements across two acoustic environments. This gives you options for realism, distance, and flexibility.

Designed, Construction Kit, Bundle: What's the difference?

Sound Preview

WORLD WAR I FIREARMS | Construction Kit Demo
0:00

Technical Specifications – Edition: Construction Kit

499 Files
4162 Sounds
Size: 14 GB
24bit / 96kHz
Stereo
L • R
Windows + Mac
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World War 1 Firearms - Designed

Pre-Built Shots, Ready to Drop In

A curated set of over 400 weapon sounds created from the raw recordings. Ideal for quick use when time is short but realism still matters.

Historical Grit, Modern Clarity

Carefully shaped to retain the authenticity of the original recordings, while fitting cleanly into today’s mixes. Balanced, believable, and immediately usable.

Designed, Construction Kit, Bundle: What's the difference?

Sound Preview

WORLD WAR I FIREARMS | Designed Demo
0:00

Technical Specifications – Edition: Designed

72 Files
432 Sounds
Size: 1.5 GB
24bit / 96kHz
Stereo
L • R
Windows + Mac
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WORLD WAR I FIREARMS Bundle

THE BUNDLE - Raw and Refined
The WORLD WAR I FIREARMS Bundle includes both the Construction Kit and the Designed edition, offering maximum flexibility and value. The Designed edition provides ready-to-use shots that cover the full firing process — ideal for quick implementation. The Construction Kit includes all raw source recordings, giving you complete control to customise, layer, or build entirely new weapon sounds and Foley elements to suit your project.

Designed, Construction Kit, Bundle: What's the difference?

Sound Preview

WORLD WAR I FIREARMS | Construction Kit Demo
0:00
WORLD WAR I FIREARMS | Designed Demo
0:00

Technical Specifications – Edition: Bundle

571 Files
4594 Sounds
Size: 15.4 GB
24bit / 96kHz
Stereo
L • R
Windows + Mac

What we recorded

WORLD WAR I FIREARMS was recorded with a clear goal: to capture the real sound of early 20th-century weapons in their natural environment, without modern embellishment.

We sourced original WWI-era firearms — not reproductions — and recorded them at a carefully selected outdoor location. This location offered hard, reflective surfaces but was softer, surrounded by natural vegetation. This gave us a contrasting set of reverb tails and spatial behaviours, ideal for designers who want sonic variety without relying on artificial processing.

Each session focused on capturing both the acoustic impact and the mechanical identity of the weapons. Using close, mid, and far mic placements, we documented not just the gunshots, but the full physical performance: bolt actions, reloads, dryfires, misfires, and subtle handling sounds.

The idea was simple — treat these weapons not as props, but as characters. Preserve their imperfections. Honour their historical context. And make the results as usable and flexible as possible for modern workflows.

Firearms Included


Revolvers

Colt New Service
M1917 Revolver
Webley Mk VI
Nagant M1895

Pistols

Steyr M1912
Colt M1911
FN Highpower
Mauser C96
P08 Luger

Rifles

M1917 Enfield
Mosin Nagant 1891
Mosin Nagant M1907
Springfield M1903
Springfield M1903 A4
Steyr 1895
Krag–Jørgensen

Shotguns

Browning Auto 5
Winchester M1887

    What's so special about this library?

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    WOLRD WAR I FIREARMS is a sound library built on authenticity, flexibility, and detail — not stylisation. Every weapon in this collection is a genuine WWI-era firearm, recorded in real outdoor spaces to capture both mechanical nuance and environmental context.

    Unlike libraries built for impact or drama, this one’s about truth. You hear the weight of old metal, the wear in the actions, the space the sound moves through. Whether you're recreating historical scenes, building grounded weapon layers, or designing something modern with vintage grit, these sounds give you honest material to work with.

    Key advantages:

      • Use unprocessed close-mic recordings for tight, controlled design
      • Tailor spatial depth using mid and far mics from two distinct environments
      • Repurpose mechanical elements for tension, character, or Foley layering
      • Adapt stereo, Ambisonics, or ORTF3D formats for linear or immersive mixes

     

    This is a library for sound designers who don’t want the same generic gunshot. It’s for those who want to feel the design in their hands — and shape it with precision.

    In this interview, our sound designer Wieland Müller goes into detail about WORLD WAR I FIREARMS. Learn more about the creative process, the recordings, and the approach to keep the weapons as authentic as possible.

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    Capturing the Past, Without Pretending: Making of WORLD WAR I FIREARMS

    With WORLD WAR I FIREARMS, we’re set out to do something specific: record a set of authentic WW1 sounds, with their full sonic character intact, and make that material useful for professional sound designers working across film, games, and immersive formats. Not exaggerated. Not stylised. Just honest recordings, made for real design work.

    Read more about the ideas and the creative process behind WORLD WAR I FIREARMS in our latest blog.

    Read More

    Compatible Software

    BOOM Library sound FX come as WAV files. This means you can import and work with them in any software that can handle this file type. Here are the most common audio and video editing software tools that work perfectly with our sound FX.

    Most Common Audio Software


    Logic Pro
    Nuendo
    Pro Tools
    Cubase
    Reaper
    Ableton Live

    Most Common Video Editing Software


    Premiere Pro
    Final Cut Pro
    After Effects
    Vegas Pro
    Media Composer
    Da Vinci Resolve

    UCS Compatible Metadata embedded

    To provide you with the fastest and easiest workflow possible, all files contain extensive metadata like file description & keywords. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata. Here are the most common audio management tools:
    Soundminer
    Basehead
    Soundly

    Royalty-Free License

    One purchase. Every project. Forever.
    No per-project fees
    Use in unlimited projects after a single purchase
    No sync reporting
    No PRO registration or broadcast cue sheet required
    Worldwide & perpetual
    No territory limits, no expiry date on your license
    Movie & TV
    Games
    Trailers
    Web
    Advertising
    Music
    Live
    & more
    Sounds may not be resold or redistributed as audio assets.  Studio / team licenses available.
    View Full License Details

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