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Software / Plug‑In

Transforce

Transient Shaper Plugin

TRANSFORCE is a transient shaper plugin (VST3, AU, AAX) that processes the attack and sustain of a sound separately, with EQ and saturation for each. Drums, footsteps, impacts, dialogue, and whooshes all benefit.

Choose Your Edition
$139.00
$139.00
/ year
excl. VAT

TRANSFORCE is a transient shaper plugin (VST3, AU, AAX) that processes the attack and sustain of a sound separately, with EQ and saturation for each. Drums, footsteps, impacts, dialogue, and whooshes all benefit.

Choose Your Edition
$139.00
$139.00
/ year
excl. VAT

Total Transient Control

The Transient Shaper Built For Sound Designers

TRANSFORCE is the transient shaper plugin for designers and producers who want both punch and control without the usual trade-offs. Independent processing on attack and sustain. Spectral processing that separates tonal content from noise. Parametric EQ and saturation per band, on each side. A Stylize module, a Clipper, and a Limiter to finish the job. Built for sound design, yet equally capable in music production.

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Independent EQ on 
Attack and Sustain

Transient EQ that does what a transient shaper plugin can’t do alone.

Most transient tools force a trade-off. Push the attack and the sustain rides up with it. Tame the body and the punch goes flat. TRANSFORCE splits attack and sustain into two signals you shape separately, each with its own parametric EQ across multiple bands and its own saturation. Shape the low end of the attack and remove rumble from the sustain at the same time. You get punch hits hard, and the sustain element sits exactly where you want it.

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The Spectral Slider - Tonal-vs-Broadband Separation

Spectral processing across attack and sustain, independently.

This is special, the Spectral Slider separates the tonal resonances in a signal from the noise content, then lets you process each across attack and sustain. On a sci-fi element, add tonal character to the attack and leave the sustain clean. On a guitar, pull the pick attack off the front of the note without touching the body. On a snare, shape the ring without touching the crack.

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Per-Band Parametric EQ - EQ Where You Want It

Multiple EQ bands inside each Attack and Sustain module

Inside each Attack and Sustain module sits a parametric EQ with multiple bands, each fully controllable. Combined with the per-module saturation stage, the result is frequency-targeted attack and sustain shaping with the precision of a parametric EQ and the dynamic intelligence of a transient detector. Add weight to a specific frequency in the sustain while saturating only the attack in another band. The kind of control that multiband compressors and conventional transient shapers can’t deliver cleanly.

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Built For Sound Design - Drums, Footsteps, Impacts, Dialogue, Whooshes

A transient processor plugin made for the work sound designers actually do

Footsteps that land without losing their weight. Impacts that punch through without burying everything around them. Dialogue with plosives pulled cleanly off the front of each line. Whooshes and risers whose leading edge stays sharp while the bloom of the sustain is controlled separately. Sidechain trigger input for signal interaction, presets drawn from real production sessions from top-name artists, and AudioSuite support for batch-processing SFX libraries in Pro Tools. Every control on the plug-in exists because a sound designer needs it.

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Equally Powerful For Music Production

The same powerful transient design on drums, vocals, guitars and more

The processing within TRANSFORCE applies to any material where attack and sustain behave differently. Tighten the snap of every transient on a drum bus while letting the sustain breathe. Pull the pick attack off a guitar without touching the body of the note. Balance the hammer strike of a piano against its sustain. The Stylize module adds the low-end body that modern productions are built on; the Clipper adds weight; the Limiter handles output. This is one plug-in, five modules, powerful for music and post.

Typical Use Cases

Movie & TV

Sound Design for Drums, footsteps, impacts, dialogue, whooshes.

Game Audio

Shaping large sets of sounds at scale.

Sound Design

Sci-fi, impact, and creature work where attack and sustain need different tonal treatment

Drums

Drum bus and individual drum processing.

Music Production

Guitars, piano, vocals, and any material with a defined attack and decay.

Supporting the Art of Cinematic Sound

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“What I love about TRANSFORCE is that it was clearly designed by sound designers for sound designers. It adds clarity, focus, and impact while still preserving the natural tone and authenticity of the original recording.”

Robert Dudzic
Sound Designer
Bad Boys: Ride Or Die • The Tattooist of Auschwitz • Carry-On
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“TRANSFORCE is a transient playground of colour and tone, from surgical correction to wild dynamic distortions, a worthy addition to any audio toolkit.”

Ollie Knight
Multi-Platinum Music Producer / Mix Engineer
MK • Sonny Fodera
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"Sculpting attack and sustain separately gives you exceptional control over your sounds' shape. Tone Mode's ability to reduce tonal elements while adding saturation gives"

Enos Desjardins
Sound Designer
Oscar-Nominee for Best Sound
Mission Impossible - Dead Reckoning
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“This is definitely a force to F*** with! I collect transient tools, and this one has got to be one of the sharpest and original shapers of them all.”

Paul Godfrey
Producer / Engineer / Mixer
Founder of Morcheeba • Biz Markie • Big Daddy Kane • Slick Rick • Mos Def • Janko Nilovic
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“TRANSFORCE is excellent across the board, not just for drums, but to bring character and harmonics to other instruments in your score. The way it allows me to shape and transform simple, cinematic pulses into explosive, tribalistic percussion beds is nasty work.”

Baby Brown
Composer / Producer
Emmy Award Winner
DJ Rectangle • Eminem • Disney+
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“This is not just a transient manipulator … it’s a whole creative sonic toolbox.”

Cameron Craig
Producer / Engineer / Mixer
Grammy Award Winner
UNKLE • SIA • JOHN GRANT
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“Transforce is incredible for taming or exciting transients, or both! The saturation, distortion, and clipping make it perfect for mangling sounds or helping them cut through the mix. It'll be in my percussion chain for years to come.”

Thor Fienberg
Recording Engineer / Mixer
Grammy Award Winner
Masters Of The Air • Venom • Elio
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“Transforce is incredible for taming or exciting transients, or both! The saturation, distortion, and clipping make it perfect for mangling sounds or helping them cut through the mix. It'll be in my percussion chain for years to come.”

James David Redding III
Sound Designer
Emmy Award Winner
The Queen's Gambit • The Four Seasons

    Total Transient Control.

    The Transient Shaper Built For Sound Designers

    TRANSFORCE treats attack and sustain as two separate signals. Each one gets its own parametric EQ across multiple bands, its own saturation, and its own tonal vs broadband split. Built by sound designers, for the sessions sound designers actually run. Equally at home in music production.

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    Frequently Asked Questions

    Transient shapers are not new. There have been good ones on the market for a long time. The trouble is that almost all of them were built for music production and adopted by sound design as the best option available. The features tend to reflect that, as do the presets.

    TRANSFORCE is the first transient shaper that starts from the other end. It was designed by sound designers, for sound design workflows, and the difference shows up in the feature set as much as the philosophy. We sat down with product lead Jannik to talk through how it came together.

    Learn all about the process and the idea behind the product in this blog.

    Read More
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    TRANSFORCE At A Glance

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    Key Features

    • Independent parametric EQ on attack and sustain, with multiple bands per module
    • Per-module saturation
    • Spectral Slider — tonal-vs-broadband separation across attack and sustain
    • Transient section with hold, decay, and sidechain trigger input
    • Stylize, Clipper, and Limiter modules
    • Up to 4× oversampling
    • Look-ahead transient detection (user-adjustable)
    • Full parameter automation
    • Presets drawn from real production scenarios
    • VST 3, AU, AAX Native, AudioSuite. Native Apple Silicon. NKS-Ready.

    Use Cases

    • Sound design for film, TV, and games — drums, footsteps, impacts, dialogue, whooshes
    • Game audio teams shaping large sets of sounds at scale
    • Sci-fi, impact, and creature work where attack and sustain need different tonal treatment
    • Drum bus and individual drum processing

    TRANSFORCE requires a free iLok account (click to learn more).

    Technical Specifications

    Software Plugin (VST3, AU, AAX)
    Size: 124 MB MB
    Windows + Mac

    Requirements

    Please note: this software requires an audio host software. It does not work as a standalone application.
    It works with the most common audio host software apps that support VST3, AU or AAX plug ins:

    Software

    Logic Pro
    Nuendo
    Pro Tools
    Cubase
    Reaper
    Ableton Live

    System

    Windows 8 (64-bit), 8 GB Ram, Intel® Core™ i5 or similar, OpenGL 2.1 capable GPU
    macOS 10.13 (64-bit), 8 GB RAM, Apple Silicon or Intel® Core™ i5, OpenGL 2.1 capable GPU

    iLok

    Available licensing options: Machine License activation and USB Dongle. 
     What is iLok? (click to learn more) 

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    Release Notes

    Latest Version: 1.1.0 (August 2026)
    New features, new presets, improvements, and minor bug fixes