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ELECTRIC VEHICLES is a highly requested SFX compilation meticulously recorded to capture the authentic sounds of electric cars and electric motors, including a selection of EV cars, a bike, and a scooter. Created for those working on TV, movies, games and immersive experiences, this collection features numerous electric vehicles and associated sounds that will electrify your productions with authentic sounds.
Onboard Recordings: Up to 12-channel onboard microphones, including electromagnetic microphones, capturing the cabin, electric motors in the engine bay, trunk, and bumpers.
Exterior Perspectives: Four distinct exterior perspectives including approach, away, cornering, and start & stops.
Sounds from a variety of electric cars like a Tesla Roadster or Volkswagen ID3. We also recorded various other vehicles, including a small monowheel, a scooter and an electric motorbike.
Our sound library features electric vehicles in different maneuvering situations like steady driving, acceleration, deceleration, reverse driving, and more.
We also recorded every maneuver at various speeds – including the sounds of electric vehicles at low speed.
In addition to the extensive set of driving sounds, you will receive diverse recordings of opening and closing of doors, trunks and frunks, activated windscreen wipers, charging procedures, and more to complete the sound set of each vehicle.
CARS, VEHICLES, SCOOTER, MOTORBIKE, MONOBIKE, ELECTRIC VEHICLE SOUND, ELECTRIC MOTOR SOUND, ELECTRIC CAR SOUND, EV, VW ID3, HYUNDAI IONIQ 5, SKODA ENYAQ, MERCEDES EQE 300, RENAULT ZOE, TALARIA STING R, TESLA ROADSTER SOUND
Create your own onboard sound mixes by choosing which mics to use in what combination. Those can be used for car interior scenes or third party shots, you can emphasize on the tire noises or the electrical whine of the engines or get a natural and spatial 3D Ambisonic surround driver position perspective. Perfect to support cuts with switching cameras.
The exterior positions feature several spots along the track which have been used to corner, approach, drive away, and pass by driving. Those microphones are ideal for scenarios in which you have static shots from the outside of an electric vehicle.
We tried to cover a wide spectrum of most used electric vehicles. In addition you will find two wheelers and even an electric monobike. A variety of cars, from small city EVs, family, executive cars, to high performance EVs. And even one of the rare 1,500 available Tesla Roadster (original) are on the list.
It’s a BOOM Library so it had to be right. It took us time to get these recordings so we were happy. We invested a great deal of time to gather experiences, do test recordings, and try and distill what is so special about the electric vehicle experience. Finally the day had to be right, the weather held us back for months: since EVs are so quiet, wind, rain, birds, animals, other traffic – these background noises needed to be limited as much as possible. We think this attention to detail is absolutely worth it! We feel sure you will too.
BOOM Library sound FX come as WAV files, meaning you can import and work with them in any software that can handle this file type. Here are the most common audio and video editing software tools that work perfectly with our sound FX:
Logic Pro
Cubase
Nuendo
Ableton Live
Pro Tools
Reaper
Premiere Pro
Final Cut Pro X
After Effects
Vegas Pro
Media ComposerTo provide you with the fastest and easiest workflow possible, all files contain extensive metadata like file description & keywords to quickly find the sounds you’re looking for. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata. Here are the most common audio management tools:
Soundminer
Basehead
Soundly
Universal Category System 
We differentiate between sound FX and sound file. Each sound file can contain multiple variations of a sound (up to 6 variations based on the product).
That way, we assure to provide you with different styles of a single sound in one file instead of multiple files, keeping your database nice and clear and speeding up your workflow as you have multiple variations available by dragging only one file to your audio host software.
Having multiple variations of a single sound effect also guarantees you a less repetitive overall soundscape when using the effect multiple times in a row or over and over again in several projects.
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