PREFACE

WHAT IS ENRAGE AND WHAT MAKES IT SPECIAL?

ENRAGE is a modular multi effect plug-in. It allows to freely combine various kinds of audio processors in a 6 by 10 grid. Combined with precise modulators, flexible routing capabilities and high-quality processing devices you can get creative designing highly innovative effects or mastering grade chains.

Minimum System Requirements

WINDOWS: Windows 8 (64-bit), 8 GB RAM, Intel® Core™ i5 (relatively recent)
MAC: macOS 10.13 (64-bit), 8 GB RAM, Apple Silicon or Intel® Core™ i5 (relatively recent)

Installation

After downloading and opening the installer of ENRAGE please follow the on-screen instructions to install the application.

THE MANUAL WILL BE COPIED HERE:
WINDOWS: C:\Program Files\BOOM Interactive\ENRAGE
MAC: /Applications/BOOM Interactive/ENRAGE

USER PRESET BANKS WILL BE LOCATED IN SUBFOLDERS HERE:
WINDOWS: C:\Users\[user name]\AppData\Roaming\BOOM Interactive\Enrage\Presets
MAC: /Users/[user name]/Library/Application Support/BOOM Interactive/Enrage/Presets

Registration

Muse Hub Registration

If you obtained the plug-in from Muse Hub, and experience issues with activation, please use the Contact Support button found on the EnraGE Muse Hub project page, or visit https://support.musehub.com/.

iLok Registration

During the first start of ENRAGE after installation, the iLok registration window pops up. ENRAGE is licensed using the PACE Licensing Platform. You need to have an iLok account to use it, however setting up an iLok account is free. You will find all necessary information on how to setup your account on www.ilok.com. You can either directly authorize your computer (machine authorization) or use a 2nd or higher generation iLok hardware dongle. A second or third generation iLok (iLok2 or iLok3) is a product of PACE that can be purchased at www.ilok.com or from any participating music retailer.

Next: please download the iLok License Manager at www.ilok.com.

After your purchase, you automatically receive an order confirmation from us containing the download link for the installer plus a 30 digits long iLok activation code (e.g. 1234-1234-1234-1234-1234-1234-1234-12).

Now you are ready to go!

Quick Start

Once ENRAGE has been instantiated, the most basic setup loads per default. At the top center you will find a grey field labeled “Untitled”. Clicking on it opens the preset browser. Browse through the categories to load presets you desire and try the MACROS or MOD SOURCES to dial it in. Done with the Quick Start – now onto the real fun…

GUI Overview

ENRAGE is a highly versatile, professional tool and the GUI might seem intimidating at first glance. However, we tried to keep it as user friendly as possible.

General Overview

You will find a header and footer as well as four additional, color coded segments: CONTROL, MOD SOURCES, DEVICES (including the Device List, the Rack, the Mod Matrix and the Device Editor) and MACROS.

Header

At the very top, going from left to right you will find some general functions

Title and Logo

Clicking on the Title and Logo shows the version of ENRAGE currently running as well as the Credits and contact information.

Undo and Redo

The little circling arrows are undo- (arrow to the left) and redo steps (arrow to the right) for all changes with the exception of macro automation. The maximum number of available undo steps may vary.

Preset

In the center of the header, you will find the name of the currently loaded preset. Clicking on it will bring you to the Preset Browser (3.7)

CPU Load

To the right of the preset name, you will find a single CPU load meter to check how intense the preset is for your DAW. Note that this is merely an estimate, it does not take all cores into account

Latency

Next to the CPU load meter you will find the latency indicator.

Manual

The question mark button to the right of the CPU load meter will open the Enrage Manual.pdf file directly from the Plugin UI. This of course only works if the manual has been installed correctly during the Enrage installation process.

Settings

The Settings button is located between the Manual and the Bypass button. Clicking on it will bring up two distinct setting windows further explained in chapter 3.3.

Bypass

The icon on the far right within the header is the global bypass button for ENRAGE which bypasses everything except for the global output gain: “Out Gain”.

Settings

Preset Settings

ENRAGE operates with zero latency, unless specific devices that require a bit of latency to work are in use. These typically are devices that perform some sort of spectral processing, like Pitch Shift, Warp, and Tame. By default, ENRAGE will take care of compensating all latencies that occur within a preset automatically. This includes all audio, modulation and MIDI/Trigger routing. The only scenario in which this does not work arises if there are any cycles (feedback paths) in the presets routing, if these paths contain any devices introducing latency. In such situations, the latency indicator in the header bar will appear red. For such cases it is possible to disable latency compensation and compensate manually as appropriate.

You can add additional latency time manually in the Extra Latency (ms) input field. This value will be reported to the host on top of the actual latency. This is useful if you intentionally delay a signal to construct some sort of lookahead behaviour.

Global Settings

Within the Preferences tab you can make general adjustments that affect all instances of this plugin such as Color scheme (Modern - Classic - Colorblind) and usability optimizations. By clicking on the Rebuild Preset Database button on the bottom, ENRAGE will scan all Preset Directories and update your Preset Browser. You can also change the default modifier keys for the following actions: Enable device toggle, Duplicate device and Remove device.

Head to the New instance defaults tab to set your default settings for the GUI Scale, the Output limiter, the Autoroute behavior of the Device Rack (see chapter 3.6.1) and the display of modulation values via the Show modulated values option.

Control

Mod Sources

Right next to CONTROL you will find the green section: MOD SOURCES (Modulation Sources). They can be routed to alter parameters inside of ENRAGE. An Envelope follower will be loaded by default. There is a total of twelve different MOD SOURCES which are explained in detail in chapter 5. They all work in the same way concerning how to modulate any DEVICE parameter. Some of them even have the possibility to be modulated themselves. You can drag the Env Follow icon onto an LFO Rate, just to give one example. This will increase the speed based on the input loudness. There are some advanced and special ones, namely Pitch Tracker, Change and Formula.

Devices

DEVICES are color coded in yellow. The complete lower half of the GUI is dedicated to this section basically. On the far left you will find the DEVICE Browser. ENRAGE offers a total of 55 different DEVICES. Once you made your choice, just drag it onto the Rack right next to it.

Favorites

You can also save your favorite DEVICES and MOD SOURCES along with their settings by dragging them into the favorite list, which can be toggled by clicking the little heart icon () on top of the device list. These templates can be rearranged freely within the favorite list. To use them, just drag them out into the MOD SOURCES area or the Rack. To delete a favorite simply drag it onto the trash icon () located at the bottom of the list.

The Rack

The Matrix

Device Editor

Macros

Preset Browser

On the very top of the GUI you will find a field labelled “Untitled”. If you click on it, the Preset Browser will open. It should rather be self- explanatory. First you will find a search bar right below the PRESET BROWSER title. All presets are then filtered in five different columns: Bank, Type, Category, Subcategory and Preset.

When clicking on a preset of your choice, it will show the Preset Name on the bottom left corner as well as Category and Subcategory classifications. You then have 4 buttons to proceed with. Close will minimize the browser and bring you back to the main GUI. Load will load up the selected preset and by clicking Save As you can store your own presets in the User Bank. The Init button sets the current preset back to default. Above this very button you will find a small heart icon. By clicking on it you will mark the selected preset which will help you to quickly remember your favorite templates. You can then sort the preset list to show favourited presets first by clicking the "heart" toggle at the top right of the name column. At the bottom right of the browser you will find a short Description on how to use certain presets paired with general information and potential use cases.

Footer

The Footer is located at the bottom of the GUI. Here you will find additional Options affecting a variety of sections. This chapter is structured according to the Footer from left to right.

Oversampling

On the very left you can switch on internal Oversampling at a factor of 2x or 4x. Note that Oversampling introduces a tiny amount of latency.

Autoroute

Next you will find an option affecting the Rack. By enabling Autoroute, ENRAGE will try to arrange DEVICES you place or move within the Rack automatically.

Show Modulated Values

When enabled, ENRAGE will display the modulated values in real-time, based on active modulation. When disabled, all value labels will display the knob positions before modulation gets applied instead.

Limiter

To the right of the ENRAGE Version currently running, you will find a global output Limiter that ranges from -24dB to +24dB and will be applied after the global Out Gain. The Limiter will be highlighted every time it gets triggered. This will help you keep an eye on the extent of your output that runs into the Limiter. You can customize the Limiter default in Global Settings (Chapter 3.3.1).

Dry/Wet

Next you have a global Dry/Wet knob. Be aware that it can be automated within your DAW, but it cannot be modulated within ENRAGE. You can of course achieve something alike by building it yourself in the Rack. If a preset has latency compensation enabled, the dry signal will be synchronized as required.

Resize

UI can be resized by dragging the resizer icon at the bottom-right corner of the GUI. You can also set a default scale factor for new plugin instances in the global settings (Chapter 3.3.1).

Device List

In/Out

Stereo In

Stereo Out

Sidechain In

Tap Send

Tap Receive

Gain

Gain Lin

Gain dB

Delay

Tape Delay

Shift Delay

Multitap Delay

Grain Delay

Repeater

Fixed Delay

Distortion

Distortion

Decimation

VariDrive

Waveshaper

Dynamics

Compressor

Gate

ProComp

Limiter

Filter

Multi Filter

Param Eq

Splash

Vowel Filter

Band Split

3,4,6 Band Split

Tame

Generator

Sine

Saw/Square

Noise

Crackle

Imaging

Stereo Split

Stereo Merge

Panning

M/S Decode

M/S Encode

M/S Split

M/S Merge

Modulation

Chorus

Flanger

Phaser

Vocoder

Ring Mod

Timbre

Pitch

Pitch Shift

Freq Shift

Voice Shift

Warp

Sub Octaver

Reverb

Basic Reverb

IR Verb

CosmoVerb

Analyzer

Analyzer

Mod Sources

Everything that relates to MOD SOURCES is color coded green. Thus, whenever you apply one to a DEVICE or to another Mod Source you will see a little green number which represents which Mod Source modifies the given parameter.

Env Follow

The Envelope Follower does what you would expect with numerous different ways to tweak it. Being one of the core MOD SOURCES, you can change it to whatever you need.

LFO

The LFO is straight forward, yet it comes with some interesting options.

CURVE

ADSR

MAPPING

TRANSIENT

Transient analyzes incoming audio for sudden increases in volume and outputs those changes in dynamic as an envelope. A sudden increase in volume will result in a spike, which you could apply to a Gain device in order to implement a transient shaper for example.

CHANGE

PITCH TRACKER

The Pitch Tracker analyzes the pitch of an incoming, monophonic signal.

FORMULA

A MOD SOURCE that lets you generate modulation values by using mathematical expressions. If you are one of the craftier types, you will surely love this.

DELAY

SMOOTH

SPRING

TIPS AND TRICKS

General Usage

ENRAGE will enable you to approach situations where you find yourself stuck. In other words, if you don’t know how to solve an issue (whether it be mixing or sound design), try ENRAGE before you end up enraging.

Know what you aim for

Not having an aim will certainly lead to confusion. Since this Plugin is offering a huge variety of creative possibilities, it is even more important to set yourself a goal. Try think of it like you would paint a picture. Once you know what you want to paint, you’ve got a frame that you now just need to fill with paint. Not knowing what to paint on the other hand is this invisible barrier that keeps most of us from even making the first step. This sounds kind of philosophical, but it helps to make this point clear. If you go ahead and try to build a specific effect chain, ENRAGE will most definitely help you achieve that goal. As soon as you have become an expert painter you can of course start with a blank piece of paper and see where your pen will lead you. But until then, try sticking to the script.

Countermovement of Device parameters

While dialing in the parameters it can be very helpful to mirror your settings to reach the perfect tuning. You can do this by countermoveing them. If you feel like there is too much low end for instance, try boosting the higher frequency spectrum instead of cutting out too much bass. Or do a bit of both. ENRAGE is offering loads of possibilities in this regard as you can easily set up macros to automate several device parameter movements simultaneously.

Quality of life - Shortcuts

Regarding the modulation assignment of MOD SOURCES and MACROS ENRAGE offers some neat shortcuts to optimize your workflow.

Hover Highlight

Hovering over a modulation assignment icon will highlight every target it is already assigned to. If the targeted MOD SOURCE or DEVICE is selected, it will also highlight the specific target value.

Drag on Target

Dragging the modulation assignment icon on a MOD SOURCE or DEVICE will open its editor after a short delay to further assign it to the target value of your choice.

Double-click on Icon

Double clicking on the modulation assignment icon of the MOD SOURCE will open already assigned targets one after another. This will come in handy when working with rather complex templates.

Double-click on mod assignment

Double clicking on a modulation assignment will remove it.

Replace mod assignment

Ctrl-dragging on existing mod assignments will replace all previous assignments.

Alt / MODIFIER

Press Alt / MODIFIER and Drag DEVICE or MOD SOURCE to duplicate them.

Fine adjustment

Hold ctrl while dragging knobs for fine adjustment.

Snapping

Hold shift while dragging knobs for value snapping.

Reset Knob Values

Reset knobs to their default values by simply double clicking on them.

Curve Editing

• Shift-dragging a curve point will snap it to the grid.
• Shift-dragging a curvature modifier handle (empty circle) will snap it to a fixed step size
• Alt-dragging a curve point will symmetrically move the opposite point in the opposite direction
• Alt-dragging a curvature modifier handle will set the following curvature handle to the opposite position
• ctrl/cmd-alt-dragging a curvature modifier handle will set the following curvature handle to the same position

Note that these actions apply to all curve editors.

Add Modifier

Right-click on a MOD SOURCE and select Add Modifier in the popup menu to automatically set up a modifier MOD SOURCE.

FORMULA Functions

For every Function insert the prefix: “Math.” Here is one example: “Math.abs(x)”

TUTORIALS

In this section we will create some fun presets together which will reveal the general workflow as well as some tricks and usage tips. We want to equip you with the basic principles of this mighty tool, so you get an idea of what ENRAGE is truly capable of.

Flanger

Flanger Basic

We do have an amazing sounding Flanger device on board. Let’s see how this goes!

Dynamic Flanger

Now let’s make it a bit more interesting. Thousands of ways to go from here alone. We want to present one. This is based on the basic Flanger Tutorial above. You can also load the preset “Tut01 1 Flanger” which is the result of chapter 1.1.

Vocal Doubler

Vocal Doubler Basic

Vocal Doubler Advanced

The vocal doubler above already spreads out the signal in the stereo field. But is there a way to make it more interesting, shiny, smooth? Of course there is! A million ways. Here is one.

Vocal Doubler Advanced Macros

We want one for controlling the dry signal only and one to dial in the effect only.

BOOM Library – Software License Agreement

Single User License Agreement

(For Multi User License Agreement please scroll down)

This license agreement is an end-user agreement for single users / personal licenses. For multi-user setups / enterprise licenses, please refer to the Multi-User License Agreement, or contact us via service@boomlibrary.com

The following Single User License Agreement ("SULA" or “Agreement”) represents the contractual conditions between you ("Licensee" or "you") and BOOM Library ("BOOM", visit www.boomlibrary.com/about for the official legal company details and address) for the use of audio plug-ins or software including related media, documentation (e.g. manuals) and other documents and materials (e.g. presets) manufactured by BOOM ("SOFTWARE"). By installing and by registering the SOFTWARE on your computer, you declare yourself in agreement with these conditions. If you do not agree with these conditions, you are not allowed to install the SOFTWARE. Copyright laws and international copyright treaties, as well as other intellectual property laws and treaties protect the SOFTWARE and its content. All rights not expressly granted to Licensee hereunder are reserved by BOOM.

Section 1 – Introduction:

1. What You Get:
   1. You get to install the SOFTWARE on up to two (2) works-stations that you, only, use. They can be your computer in an edit bay and a laptop for the field, or your computer at work (or school) and your computer at home, etc.
   2. Please note that you need a sequencer software to run our SOFTWARE which is not included in this license.
   3. You can copy the SOFTWARE only once, for the sole purpose of making a backup copy.
   4. If you are an educator and need a license for your lab / institutional setup please contact us for educational pricing.
   6. You can export, render out, re-record or otherwise save any type of sound, noise, music, pad (“work”) created with our SOFTWARE and its presets and use it as part of any video, game, audio library or other media production (“media projects”), even other people’s media projects that you didn’t do, if the works are made from the copy of the SOFTWARE in you have on your work-station(s) and used as per our SULA.
2. What You Don’t Get:
   1. You don’t get to make any other copies of the SOFTWARE.
   2. Please don’t share our SOFTWARE on the internet – we are a small company, and unlicensed copies hurt our ability to make our products better for you and bring you new products in the future.

Section 2 – Ownership:

1. The enclosed SOFTWARE and related instructions are licensed (not sold) to you, and BOOM retains all ownership interests and intellectual property rights in the SOFTWARE.

Section 3 – Software License:

1. BOOM grants you a nonexclusive, nontransferable license to (i) install and use one copy of the SOFTWARE on up to no more than two (2) computers both of which must be owned and used by you and (ii) make one copy of the SOFTWARE for back-up or archival purposes only.
2. If you have licensed a bundled product, either from BOOM Library or a third-party, that rightfully includes a version of the SOFTWARE (e.g. “read-only” player, or OEM version – hereinafter: “Product Bundle”), you don’t have to pay any additional license fee to BOOM Library in order to use the SOFTWARE with the license and version as included in this Product Bundle.
3. The SOFTWARE cannot be technically installed on a network server, it is only available for individual machines. You may not:
   1. copy (other than for a second computer owned and used by you and for back-up purposes), disclose, publish, export, distribute, rent, lease or sublicense.
   2. remove any BOOM trademarks or copyright notices from;
   3. modify, translate or prepare derivative works of;
   4. use in a computer-based services business or publicly display visual output of;
   5. transmit by audio, digital or other electronic means or post software on any file-sharing site or
   6. reverse engineer, decompile or disassemble all or any portion of the SOFTWARE in any form, except as expressly licensed herein.

Section 4 – Audio Rights (Rights to the works):

1. This license grants the rights to produce new works using our SOFTWARE. Such new works can be created using the presets included in the SOFTWARE. This license includes the worldwide, royalty-free, non-exclusive right to combine or sync works created with our SOFTWARE into media projects without
   1. paying any additional license fees to BOOM or any third-party other than the purchasing cost of this license;
   2. obtaining additional clearances or permissions; or
   3. providing source attribution to BOOM.
   4. This license includes mechanical, synchronization, public performance and broadcast rights.
2. This license grants the worldwide and limited right to Licensee to use, re-record, duplicate, incorporate, modify, adapt, embed, and exploit all or a portion of the works created with our SOFTWARE without further payment to BOOM or any third party (royalty free). The media projects that can use the works created under this license using our SOFTWARE need to contain an additional element: i.e. voice, music, image, etc. Examples of allowed uses are, without limitation, inclusion in radio programs, podcasts, mobile apps, television broadcasts, film soundtrack, music albums, PowerPoint presentations, sound effects libraries, software instruments, websites, advertising, multi media presentations, video games and other similar products.

Section 5 – Limitations:

1. This license expressly forbids any unauthorized inclusion of the SOFTWARE or parts of the SOFTWARE code into applications or hardware products that you manufacture for your customers.
2. This license also forbids any stand-alone re-distribution method of our SOFTWARE, through any means, including but not limited to, re-selling, trading, sharing, re-compiling, mixing, processing, isolating, or embedding into other software or hardware of any kind, for the purpose of re-recording or reproduction as part of any free or commercial library of musical and/or sound effect samples and/or articulations, or any form of musical sample or sound effect sample playback system or device.
3. All licenses and rights under this license are nontransferable, which means Licensee may not sell, gift, or in any way allow another individual or business the rights obtained pursuant to this license except to Licensee’s affiliates and successors. If Licensee is acquired by another business or organized under another business name or tax entity, all licenses and rights under this Agreement may be transferred provided that number of users and workstations has not increased, and BOOM is notified of this transfer in writing within 30 days.

Section 6 – User Responsibility:

1. Licensee is responsible for installation, management and operation of the SOFTWARE e. Further, Licensee agrees to indemnify, hold harmless and defend BOOM from and against all claims or lawsuits, including attorneys' fees, that arise or result from any use or distribution of the SOFTWARE not expressly authorized in this Agreement.
2. Warranty. BOOM warrants the SOFTWARE media (e.g. download) to be free from defects in materials and workmanship for a period of sixty (60) days from the date of purchase. BOOM will replace any such defective media returned to BOOM during such warranty period, provided such defect is not the result of improper use or neglect, or if BOOM is unable to do so, it will refund your price for such defective SOFTWARE. Replacement (or refund) is the exclusive remedy for any such defects, and BOOM shall have no liability for any other damages.
3. THE FOREGOING WARRANTY IS IN LIEU OF ALL OTHER EXPRESS OR IMPLIED WARRANTIES, INCLUDING ANY WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE. IN NO EVENT WILL BOOM BE LIABLE FOR ANY KIND OF SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES, INCLUDING LOST PROFITS, EVEN IF BOOM HAS KNOWLEDGE OF SUCH POTENTIAL LOSS OR DAMAGE.

Section 7 – Termination and reservation of right:

1. This Agreement is effective until terminated. You may terminate it at any time by destroying the SOFTWARE, including all computer programs and documentation, and erasing any copies residing on computer equipment. This Agreement also will terminate if you do not comply with any terms or conditions of this Agreement. Upon such termination you agree to destroy the SOFTWARE and erase all copies residing on computer equipment.
2. This Agreement may be subject to alterations, due to changes in law, new distribution channels, acquisition of BOOM by a third-party entity, new rules applied by third party software providers on whom BOOM’s SOFTWARE rely on. BOOM warrants that any such alternation will happen in the best interest of the Licensee and BOOM and that BOOM will inform Licensee in due time and in written form of any such changes.

Section 8 – Agreement:

1. This Agreement expresses the entire understanding between you and BOOM and supersedes all other oral or written communications relating to the SOFTWARE. This Agreement shall be governed and construed under the laws of the Federal Republic of Germany and subject to the exclusive jurisdiction of the courts therein.
2. Some content included BOOM’s SOFTWARE, as well as any associated intellectual property rights and titles, belongs to third parties. This content may be protected by copyright or other intellectual property laws and treaties and may be subject to terms and conditions from the third party providing the content.
3. If any section of this SULA should be or become invalid, either completely or in part, this shall not affect the validity of the remaining sections. The parties agree that they make good effort to replace the invalid section with a valid regulation which comes as close as possible to the purpose originally intended.

Multi User License Agreement

This license agreement is an end-user agreement for multi users / enterprise licenses. For single-user setups / personal licenses, please refer to the Single User License Agreement, or contact us via service@boomlibrary.com

The following Multi User License Agreement ("MULA") represents the contractual conditions between a company / enterprise ("CLIENT" or “YOU”) and BOOM Library ("BOOM", visit www.boomlibrary.com/about for the official legal company details and address) for the use of audio plug-ins or software including related media, documentation (e.g. manuals) and other documents and materials (e.g. presets) manufactured by BOOM ("SOFTWARE”). By installing and by registering the SOFTWARE on CLIENT’s work-station(s), CLIENT declares full agreement with these conditions. If CLIENT does not agree with these conditions, CLIENT is not allowed to install the SOFTWARE. Copyright laws and international copyright treaties, as well as other intellectual property laws and treaties protect the content. All rights not expressly granted to CLIENT hereunder are reserved by BOOM.

Section 1 – Introduction:

1. What You Get:
   1. You get to install the SOFTWARE on up to three (3) workstations per licensed user, only to be used by the licensed user. Such workstations can be individual computers in an edit bay and a laptop for the field, or your computer at work (or school) and your computer at home, etc.
   2. Please note that a sequencer software is needed to run our SOFTWARE which is not included in this license.
   3. CLIENT can copy the SOFTWARE only once, for the sole purpose of making a backup copy.
   4. If you are an educator and need a license for your lab / institutional setup please contact us for educational pricing.
   6. You can export, render out, re-record or otherwise save any type of sound, noise, music, pad (“work”) created with our SOFTWARE and its presets and use it as part of any video, game, audio library or other media production (“MEDIA PROJECTS”), even other people’s MEDIA PROJECTS that you didn’t do, if the works are made from the copy of the SOFTWARE you have on your workstations and used as per our MULA.
2. What You Don’t Get:
   1. You don’t get to make any other copies of the SOFTWARE.
   2. Please don’t share our SOFTWARE on the internet – we are a small company, and unlicensed copies hurt our ability to make our products better for you and bring you new products in the future.

Section 2 – Ownership:

1. The enclosed SOFTWARE and related instructions are licensed (not sold) to you, and BOOM retains all ownership interests and intellectual property rights in the SOFTWARE.

Section 3 – Software License:

1. BOOM grants you a nonexclusive, nontransferable license to (i) install and use one copy of the SOFTWARE on up to no more than three (3) workstations per licenses user, as part of the enterprise license / MULA between CLIENT and BOOM. CLIENT can make one copy of the SOFTWARE for back-up or archival purposes only.
2. If CLIENT has licensed a bundled product, either from BOOM Library or a third-party, that rightfully includes a version of the SOFTWARE (e.g. “read-only” player, or OEM version – hereinafter: “PRODUCT BUNDLE”), CLIENT does not have to pay any additional license fee to BOOM Library in order to use the SOFTWARE with the license and version as included in this PRODUCT BUNDLE.
3. The SOFTWARE cannot technically be installed on a network server, it runs on individual machines only. CLIENT may not:
   1. copy (other than for additional workstations as stated in this MULA), disclose, publish, export, distribute, rent, lease or sublicense.
   2. remove any BOOM trademarks or copyright notices from;
   3. modify, translate or prepare derivative works of;
   4. use in a computer-based services business or publicly display visual output of;
   5. transmit by audio, digital or other electronic means or post software on any file-sharing site or
   6. reverse engineer, decompile or disassemble all or any portion of the SOFTWARE in any form, except as expressly licensed herein.

Section 4 – Audio Rights (Rights to the works):

1. This license grants the rights to produce new works using the SOFTWARE. Such new works can be created using the presets included in the SOFTWARE. This license includes the worldwide, royalty-free, non-exclusive right to combine or sync works created with the SOFTWARE into media projects without
   1. paying any additional license fees to BOOM or any third-party other than the purchasing cost of this license;
   2. obtaining additional clearances or permissions; or
   3. providing source attribution to BOOM.
   4. This license includes mechanical, synchronization, public performance and broadcast rights.
2. This license grants the worldwide and limited right to CLIENT to use, re-record, duplicate, incorporate, modify, adapt, embed, and exploit all or a portion of the works created with our SOFTWARE without further payment to BOOM or any third party (royalty free). The media projects that can use the works created under this license using our SOFTWARE need to contain an additional element: i.e. voice, music, image, etc. Examples of allowed uses are, without limitation, inclusion in radio programs, podcasts, mobile apps, television broadcasts, film soundtrack, music albums, PowerPoint presentations, sound effects libraries, software instruments, websites, advertising, multi media presentations, video games and other similar products.

Section 5 – Limitations:

1. This license expressly forbids any unauthorized inclusion of the SOFTWARE or parts of the SOFTWARE code into applications or hardware products that CLIENT manufacture for CLIENTS customers.
2. This license also forbids any stand-alone re-distribution method of the SOFTWARE, through any means, including but not limited to, re-selling, trading, sharing, re-compiling, mixing, processing, isolating, or embedding into other software or hardware of any kind, for the purpose of re-recording or reproduction as part of any free or commercial library of musical and/or sound effect samples and/or articulations, or any form of musical sample or sound effect sample playback system or device.
3. All licenses and rights under this license are nontransferable, which means CLIENT may not sell, gift, or in any way allow another individual or business the rights obtained pursuant to this license except to CLIENT’s affiliates and successors. If the CLIENT is acquired by another business or organized under another business name or tax entity, all licenses and rights under this MULA may be transferred provided that number of users and workstations has not increased, and BOOM is notified of this transfer in writing within 30 days.

Section 6 – User Responsibility:

1. CLIENT is responsible for installation, management and operation of the SOFTWARE. Further, CLIENT agrees to indemnify, hold harmless and defend BOOM from and against all claims or lawsuits, including attorneys' fees, that arise or result from any use or distribution of the SOFTWARE not expressly authorized in this MULA.
2. Warranty. BOOM warrants the SOFTWARE media (e.g. download) to be free from defects in materials and workmanship for a period of sixty (60) days from the date of purchase. BOOM will replace any such defective media returned to BOOM during such warranty period, provided such defect is not the result of improper use or neglect, or if BOOM is unable to do so, it will refund your price for such defective SOFTWARE. Replacement (or refund) is the exclusive remedy for any such defects, and BOOM shall have no liability for any other damages.
3. THE FOREGOING WARRANTY IS IN LIEU OF ALL OTHER EXPRESS OR IMPLIED WARRANTIES, INCLUDING ANY WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE. IN NO EVENT WILL BOOM BE LIABLE FOR ANY KIND OF SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES, INCLUDING LOST PROFITS, EVEN IF BOOM HAS KNOWLEDGE OF SUCH POTENTIAL LOSS OR DAMAGE.

Section 7 – Termination and reservation of right:

1. This MULA is effective until terminated. You may terminate it at any time by destroying the SOFTWARE, including all computer programs and documentation, and erasing any copies residing on computer equipment. This MULA also will terminate if you do not comply with any terms or conditions of this MULA. Upon such termination you agree to destroy the SOFTWARE and erase all copies residing on computer equipment.
2. This MULA may be subject to alterations, due to changes in law, new distribution channels, acquisition of BOOM by a third party entity, new rules applied by third party software providers on whom BOOM’s SOFTWARE rely on. BOOM warrants that any such alternation will happen in the best interest of the CLIENT and BOOM and that BOOM will inform CLIENT in due time and in written form of any such changes.

Section 8 – Agreement:

1. This MULA expresses the entire understanding between CLIENT and BOOM and supersedes all other oral or written communications relating to the SOFTWARE. This MULA shall be governed and construed under the laws of the Federal Republic of Germany and subject to the exclusive jurisdiction of the courts therein.
2. Some content included BOOM’s SOFTWARE, as well as any associated intellectual property rights and titles, belongs to third parties. This content may be protected by copyright or other intellectual property laws and treaties and may be subject to terms and conditions from the third party providing the content.
3. If any section of this MULA should be or become invalid, either completely or in part, this shall not affect the validity of the remaining sections. The parties agree that they make good effort to replace the invalid section with a valid regulation which comes as close as possible to the purpose originally intended.

APPENDIX A: SOFTWARE LICENSE AGREEMENTS OF THIRD PARTIES

I - Inno Setup License:

Except where otherwise noted, all of the documentation and software included in the Inno Setup package is copyrighted by Jordan Russell. Copyright (C) 1997-2013 Jordan Russell. All rights reserved. Portions Copyright (C) 2000-2013 Martijn Laan. All rights reserved.

This software is provided "as-is," without any express or implied warranty. In no event shall the author be held liable for any damages arising from the use of this software.

Permission is granted to anyone to use this software for any purpose, including commercial applications, and to alter and redistribute it, provided that the following conditions are met:

1. All redistributions of source code files must retain all copyright notices that are currently in place, and this list of conditions without modification.
2. All redistributions in binary form must retain all occurrences of the above copyright notice and web site addresses that are currently in place (for example, in the About boxes).
3. The origin of this software must not be misrepresented; you must not claim that you wrote the original software. If you use this software to distribute a product, an acknowledgment in the product documentation would be appreciated but is not required.
4. Modified versions in source or binary form must be plainly marked as such, and must not be misrepresented as being the original software.

Jordan Russell, jr-2010 AT jrsoftware.org, http://www.jrsoftware.org/

II - PFFFT : a Pretty Fast FFT

Copyright (c) 2013 Julien Pommier (pommier@modartt.com )

Based on original fortran 77 code from FFTPACKv4 from NETLIB, authored by Dr Paul Swarztrauber of NCAR, in 1985. As confirmed by the NCAR fftpack software curators, the following FFTPACKv5 license applies to FFTPACKv4 sources. My changes are released under the same terms.

FFTPACK license:
http://www.cisl.ucar.edu/css/software/fftpack5/ftpk.html

Copyright (c) 2004 the University Corporation for Atmospheric Research ("UCAR"). All rights reserved. Developed by NCAR's Computational and Information Systems Laboratory, UCAR, www.cisl.ucar.edu.

Redistribution and use of the Software in source and binary forms, with or without modification, is permitted provided that the following conditions are met:

• Neither the names of NCAR's Computational and Information Systems Laboratory, the University Corporation for Atmospheric Research, nor the names of its sponsors or contributors may be used to endorse or promote products derived from this Software without specific prior written permission.
• Redistributions of source code must retain the above copyright notices, this list of conditions, and the disclaimer below.
• Redistributions in binary form must reproduce the above copyright notice, this list of conditions, and the disclaimer below in the documentation and/or other materials provided with the distribution.

THIS SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING, BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE CONTRIBUTORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS WITH THE SOFTWARE.

III - FFTConvolver

Copyright (c) 2017 HiFi-LoFi

Permission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the "Software"), to deal in the Software without restriction, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions:

The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software.

THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.

IV - Roboto Fonts

This application makes use of the Roboto fonts authored by Christian Robertson and made available through Google Fonts (fonts.google.com) under the terms of the Apache Software License v2. Version 2.0, January 2004, http://www.apache.org/licenses/

1. Grant of Copyright License: Subject to the terms and conditions of this License, Apache hereby grants to You a perpetual, worldwide, non-exclusive, no-charge, royalty-free, irrevocable copyright license to reproduce, prepare Derivative Works of, publicly display, publicly perform, sublicense, and distribute the Work and such Derivative Works in Source or Object form.
2. Trademarks: This License does not grant permission to use the trade names, trademarks, service marks, or product names of the Licensor, except as required for reasonable and customary use in describing the origin of the Work and reproducing the content of the NOTICE file.
3. Disclaimer of Warranty: Unless required by applicable law or agreed to in writing, Licensor provides the Work (and each Contributor provides its Contributions) on an "AS IS" BASIS, WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied, including, without limitation, any warranties or conditions of TITLE, NON-INFRINGEMENT, MERCHANTABILITY, or FITNESS FOR A PARTICULAR PURPOSE. You are solely responsible for determining the appropriateness of using or redistributing the Work and assume any risks associated with Your exercise of permissions under this License.
4. Limitation of Liability: In no event and under no legal theory, whether in tort (including negligence) contract, or otherwise, unless required by applicable law (such as deliberate and grossly negligent acts) or agreed to in writing, shall any Contributor be liable to You for damages, including any direct, indirect, special, incidental, or consequential damages of any character arising as a result of this License or out of the use or inability to use the Work (including but not limited to damages for loss of goodwill, work stoppage, computer failure or malfunction, or any and all other commercial damages or losses), even if such Contributor has been advised of the possibility of such damages.

V - Steinberg VST License

VST® is a trademark by Steinberg Media Technologies GmbH, registered in Europe and other countries.

LIMITATION OF LIABILITY

1. Subject to the provisions in the following sub-sections, Steinberg shall only be liable, irrespective of the legal grounds, for damages caused by the intentional or grossly negligent conduct of Steinberg, its legal representatives, managerial employees or any other vicarious agents. In the case of damage caused by the grossly negligent conduct of any other vicarious agents, the liability shall be limited to those damages which must typically be expected within the scope of an agreement such as the present one. Any further liability other than as permitted under this agreement shall be excluded.
2. Any liability of Steinberg for damages arising from violation of life, body and health, from the assumption of a guarantee or from a procurement risk as well as Steinberg's liability for damages pursuant to the Product Liability Act (Produkthaftungsgesetz) shall remain unaffected.
3. To the extent the liability of Steinberg is excluded pursuant to the subsections of these provisions, this shall also apply to the benefit of Steinberg's employees in the event the Licensee files any claims directly against them.

PRODUCT WARRANTY

1. Steinberg licences the VST PlugIn Interface Technology on an "AS IS" basis. Steinberg makes no warranties, express or implied, including without limitation the implied warranties of merchantability and fitness for a particular purpose, regarding the VST PlugIn Interface Technology or operation and use in combination with the Licensee’s program. Neither the Licensee, its employees, agents or Distributors have any right to make any other representation, warranty or promise with respect to the VST PlugIn Interface Technology.
2. In no event shall Steinberg be liable for incidental, indirect or consequential damages arising from the use, or distribution of the VST PlugIn Interface Technology by the Licensee, whether theory of contract, product liability or otherwise. All claims for indemnification for losses by the Licensee itself or by third parties shall be excluded.
3. Steinberg may in its sole discretion discontinue the distribution of the current VST PlugIn SDK and/or release improved versions of the Licensed Software Developer Kit but offers no commitment whatsoever those releases will occur at any time or for anybody.

INFRINGEMENT

1. Steinberg represents and warrants that, as of the date of this Agreement, it is not aware of any claim or action alleging that VST, the VST PlugIn Interface Technology, or the content of the Licensed Software Developer Kit infringes any third party intellectual property right.
2. Steinberg, however, disclaims any obligation of defense or indemnify of the Licensee or its customer with respect to any such claim or action, or otherwise arising out of this agreement. Steinberg shall have no liability arising out of any such actual or alleged intellectual property infringement. The Licensee, however, shall promptly notify Steinberg, in writing, of each such infringement claim of which the Licensee becomes aware. Steinberg may defend the Licensee against such claims. In such case, the Licensee is obligated to duly support Steinberg’s defense.

This is a software of BOOM Library.
All other product names, brands and trademarks, mention of which in this document and the software is for identification purposes only and does not imply affiliation or endorsement, are the property of their respective owners.

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